Nadya Mitskevich ‘A knot for memory’

06-6-2026 - 30-8-2026

Galeria Labirynt 2

O wystawie

Exhibition opening: 6 June 2026 (Saturday), 18.00-00.00
Where: Galeria Labirynt 2, ul. Grodzka 3, Lublin
On view until: 30 August 2026 (Tuesday-Sunday, 15.00-19.00)
Free admission


A project combining graphics and photography, dedicated to Ukrainian refugees, their difficult journey, and the memories they brought with them across borders. For the artist, this journey is symbolized by a knotted red thread, connecting people, things, personal stories, the past, and the future. This project consists of several parts. The first part is devoted to roads and paths, the vast number of people crossing borders. The exhibition tells the story of migration caused by war and the damage it inflicts on ordinary people. Various women and children face the impossibility of finding their place, their home, and struggle to find their bearings in a new, alien reality.

The exhibition is a part of Eastern Photography Festival (WFF’s website).


Nadya Mitskevitch is an artist. She participates in international exhibitions and festivals. In 2022, Nadya Mitskevitch came to Poland from Ukraine as a war refugee. In Poland, she took up photography, combining it with graphic design. Her works are presented annually in collective outdoor exhibitions of the Association of Polish Art Photographers (ZPAF). She lives and works in Warsaw.


Nadya Mitskevitch, Węzeł dla pamięci

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    22-4-2025 - 10-5-2025

    Galeria Labirynt

    Jo Birdsell ‘By Our Nature’

    06-6-2026 - 30-8-2026

    Biblioteka Azyl

    O wystawie

    Exhibition opening: 6 June 2026 (Saturday), 18.00-00.00
    Where: Biblioteka Azyl, ul. Lipowa 13, Lublin
    On view until: 30 August 2026 (Tuesday: 13.00-19.00, Wednesday-Sunday: 12.00-19.00)
    Free admission


    A photography exhibition exploring the relationship between queer identities and the natural world. The project raises question about what we consider ‘natural’. What privileges do those whose presence is perceived as natural? And how can one find one’s own nature in a world whose natural environment is increasingly degraded? Combining large-scale landscape photographs, portraits of queer individuals, and images in which the body and landscape intersect, ‘By Our Nature’ affirms queerness as part of nature, not its denial. Birdsell works with color, form, and space, creating images that emphasize queer people’s right to visibility, presence, and space—both in the landscape and in the social world.

    The exhibition is a part of Eastern Photography Festival (WFF’s website).


    Birdsell is a queer, nonbinary visual artist and essayist from the Midwest. Her artistic practice focuses on experiences of queer identity and femininity, as well as themes of sobriety, subcultural life, and recovery from trauma. Birdsell’s work stems from her personal experiences as a queer person and person in recovery, while also drawing on sociological research and reflection.

    A journalist by training, she now works as a sociologist, which allows her to combine an individual perspective with the analysis of broader social phenomena. Her work challenges simplistic divisions and explores the complex relationships between gender, sexuality, safety, and love. Her goal is to break down stigmatization and enhance the visibility of queer people and those in recovery.

    She lives and works in Berlin. Her project, ‘By Our Nature’ is a photographic reflection on the relationship between queer identity and the natural world, raising questions about norms of ‘naturalness’ and the right to occupy space.


    Jo Birdsell, By Our Nature

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    Jo Birdsell

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      Xeniya Brik ‘Timeless’

      06-6-2026 - 30-8-2026

      Galeria Labirynt

      O wystawie

      Exhibition opening: 6 June 2026 (Saturday), 18.00-00.00
      Where: Galeria Labirynt, ul. ks. J. Popiełuszki 5, Lublin
      On view until: 30 August 2026 (Tuesday-Sunday, 12.00-19.00)
      Free admission


      The exhibition presents women in a space where everyday boundaries are blurred and reality enters a state of timelessness. The subjects of the works linger in moments of pause, as if momentarily removed from the flow of history, frozen between one breath and the next. The result is a series of works operating at the intersection of reality and suspension. It is in this tension between presence and stillness that their power is born. Each image is an autonomous fragment, functioning as a self-contained, tense and ambivalent state, more intuited than clearly interpreted. Its emotions and thoughts unfold outside of linear time. This is a story about permanence: about melancholy, the blocking power of stagnation, and quiet perseverance. Its ambiguity invites the viewer to interpret it in their own way—to delve deep into themselves to discover the meaning hidden beneath the image’s surface.

      The exhibition is a part of Eastern Photography Festival (WFF’s website).


      Xeniya Brik – born in Kazakhstan in 1989. Currently a Polish citizen, she is a student at the Institute of Creative Photography in Opava (Institut tvůrčí fotografie v Opavě). She graduated from the Tri-City School of Photography in Gdynia. She is a member of the Lower Silesian Branch of the Association of Polish Photographers (ZPAF). Her primary areas of activity include portraiture and original photography. In her work, she seeks to reflect emotional states and explores the relationship between people and themselves and the surrounding space. Her visual style emphasizes simplicity, minimalism, and aesthetics. She has received awards in national and international competitions and has participated in numerous exhibitions. For several years, she has been teaching others how to ‘see’ by conducting photography workshops.


      Xeniya Brik, Bezczas

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